OLD ROCKERS

Feliz me ol' mates,

I have just returned from a hearty couple of days in the heart of the City. London City. England, Europe.

In London there is a place called Camden and I recommend it to you folks most sincerely. Camden, as you may know, is the heart of all that is indie rock in the UK. It hosts the bands that everyone has played at including Barfly, Good Mixer, the Palace and many more. It is - in short - the UK's daily equivalent of Austin. Only in camden the market is better and so are the enourmous Doc Boots that hang on the walls of the shops.

I love Camden.
I met my Missus there and I have been to more mental events in that place than anywhere else.

Apart from Crouch End. Which has no indie pubs but loads of watering holes that have been known to sell me an intoxiacting beverage or two.

Anyhow, I met up with Mark Wilson - he of the guitar slap - and his manager to have a chat and a few pints. They had just come from making a TV show for Sky and Mark was looking a bit wobbly. At first I thought it was the beer, or the TV studio but it turns out he is to become a dad. Well done! So a few whets of the babies head later and MArk has gone home to the wife. Then along comes Ray "Thunderbird" Fresh from a tour with Seasick Steve and the Gemma Ray Ritual and then along comes Steve who has just been in Brisbane and NYC with Darren Hayes (Savage Garden) so all up it was a good old night. Steve's band - THE GREAT STATESMEN - played a show at Dublin Castle with some blokes called Spencer McGarry. Not keen on them but maybe that was becasue I had been through the best part of a gallon of John Smiths finest Ale by the time they came on. Everyone else seems to be enjoying it though so lets leave that there.

So the night was going great guns. I was perched on a table chwing the fat and slopping the ale when I stopped gibering for a moment and looked up. The room wasn't quite spinning but there was certainly a flashing blue light going on inside my head. You see as I looked about I realised that the 3 blokes from Warners weren't there anymore and that everyone else was at least 35.

Oh shit! I was just another old rocker watching another band in a pub in Camden and kidding myself that I was still out there at the cutting edge. But I wasn't was I? And neither was anyone else. We were all just going through the safe rituals that we know and trust. We were the music worlds version of a golf club committee. Fuck!

So, my bretheren I ask you to repent your sins and come join with me on a quest for the new and important. This rock n roll thing isn't just old its positively venerable. When the big shows are all aimed at the 60 plus age group and the cutting edge is attended by 40 something blokes in black jackets you know that the absorbtion of youth culture into the mainstream is complete.

It is a shame really. I know there is new talent out there - like these guys I saw the other year. He is a bit ofthe blurb about them:

"The Flairz is made up of three 11 year old rockers from Perth, Australia. They are John Mariani-guitar/bass/vocals, Scarlett Stevens-drums/vocals, and Dion Mariani-guitar/bass/vocals. Their brand of no nonsence rock and roll has gained them many fans in western Australia while opening for many big name bands including The Living End. They have also played to an audiance of thousands at Perth's famous Rock-It Festival in March 2004. The Flairz released their debut CD-EP on November 15, 2004."

They are young talented and I am sorry to say stuck with Dad's dreams of superstardom.

What the hell is the next thing?

Someone tell me please because I honestly have no fucking clue and with a hangover like the one I have today it is not something I am likley to figure out any time soon.

Catch you later

99% of record labels are crooks

Guten Morgen,

back to business sweet reader.

All the blogosphere "hints" pages tell you not to do this but I have just read a great article written by the guy who produced Nirvana.

I have put a link in so you can read it for yourselves.

Not all of us are on the same road.

Weirdly enough almost exactly the same scenario has happened to us this year and we are a label.
It happened because we trusted Mr Big in the distro chain and he took our pants down and probed the openings like a Navy Seal in Roswell.

Just read it and take note. It's very accurate and is a warning for us all. Indie, musician and dreamer alike.


http://negativland.com/albini.html

The Shipping Forecast

After expending my carbon credits by flying back from the land of the fathers I landed at Gatwick - the worlds most god forsaken airport - so that I could rush up to a meeting at the legendary townhouse studios in London.

This place is an amazing labyrinth of studios and mastering suits that has a history that basically writes the last 30 years of the british music business.

The great thing about my little visit is that both Al and Steve took me for a guided tour of the entire place - from the basement to the roof an it was a really charming place to be. I can see why musicians love it so much. In the bowels of the building I came across boxes of old DAT tapes from everyone who has ever been there. I picked up a dusty box and found it was an old Beta video tape of Iron Maiden live in Rio. Lying gathering dust in a damp basement - the stuff of legend. Someday someone will have a clear out and find hidden treasures like this that have been long forgotten.

It is sort of reassuring to find that despite my most cynical moments there are still places that have a real scent of musical history still hanging about.

On the way up to London I switched on the radio and heard one of the great British institutions - the Radio 4 SHIPPING FORECAST. In case you have never heard this it is just a list of sea areas and pressures, sea conditions and yet somehow it is redolent of the entire history of Britain. "Cromarty , Forth, Tyne Dogger. West North West 1008, falling." is the kind of thing you hear. "Thames, Dover Wight. gale force 8 gusting 9. Imminent."

The thing with the shipping forecast is that no matter what the weather man is saying he always says it in a clear calm voice so that boats out at sea can hear it and write it down. That way they will know in advance if they are going to sink in the perfect storm later that day. Nice. I only wish there was a music business forecast.

Can you imagine a broadcast that you could tune into that went along these lines:

"Digital, Live, Merch - 40% rising slowly.
Licence, Sync, Myspace. Anti-cyclonic. Steady.
Labels. Legals, CD, Retail, falling fast. Collapse Imminent."

What a relief that would be.

As you know we are at the unknown edge of a new weather front in the way music is managed. It is unpredicatable. A bit like the winter. One day calm, the next stormy. I do feel that right now the storm is just passing over and we may even emerge from the other side in the next year or two. It is feeling better now that it has for ages.

One thing that does worry me is that I have heard a few bits of news from the big city. Remember where you heard it first ( or second or ages ago ...)

Firstly Whitfield St studios shut down whilst I was in Aus. What a shame. Brilliant massive space, right in the centre of London. Then Sarn is in the dung again and so is Olympic and even Abbey Road is losing cash. What a terrible omen for the technicians and guardians of yore and what an opportunity for the new bucks with verve and a few dollars to spend on Pro tools and a decent Mac.

Clever men i shite coats with shiny heads are always inventing new ways to record and technology is always changing so that isn't really a problem but, what may be a problem is the loss of a community and shared experiences that places like these create. Its what what we all got into the business for after all. Weeks of sweaty hedonism in the dark, dank rooms where others have already behaved badly and brilliantly allow a certain creative freedom that a bedroom studio does not. I mean aren't you more likely to knock of the hookers and gak in a creative haze when you are in a proper studio than when you are blogging or watching clips on you tube whilst you wait for that damn render to finish?

We allow these places to decay at our peril.

Save the wailers.
Save the wail.

EMI

For those of you who read this blog you are no doubt already aware of the disaster that has befalled EMI.

On the day of the BRIT awards Briatians premier music co has announced a profit warning because of downloads and loss of CD sales. (oh and Robbie Williams being useless).

So what? Nothing new there then is there?

Well no. Nothing short of calamity for the majors. But what it does mean for us indie guys is that alhough the monsters of rock are suffering they are also wounded and angry and that doesn't always bode well.

What does that mean? It means that they are going to continue to use their muscle to swam us in all arenas and try to destroy the indie labels as fast as they can.

Buy - Break - Bust

That's the method you use as a cartel to get rid of the opposition and thats exactly what they are doing.

Of course there will be people who come out as winners - I predict that Domino will be worth a fortune soon. But leaving that aside what does it mean for you and me?

Carnage is what.

V2 and Capitol are already merged and the other majors will follow shortly with cost cutting. Acts will get dropped and a lot of publications will go to the wall. I can't see magnet or Spin surviving as published mags when they have Pitchfork and All music Guide to compete with.

There is going to be one hell of a shake out and there will be bodies all over.

Stores are already in the shit and Distro is close behind. Labels are their suppliers and once they go to the wall what will they distribute? Oranges?

For my part I think that US distribution is a joke. They take 25% of sales and penalise you for non sales. Then they say its your fault and you oew them even though they have kept your money for moths in interest accounts and never actually confess where the money has gone. A right royal stich up all round.

So here is my theory for what to do:

Stuff physical distro unless you have an amazing deal.
Only go for Digital
Ignore the press and A&R etc and just gig your ass off.
If you are in the business as a non muso, get a job on the door at the Hollywod Bowl.
become a roadie
or failing all that make a living on the lecture circuit as a cabaret act for businesses that are in flux.

Enjoy the future kids - Who knows what happens tomorrow!!!